All Saklan community members are invited to join us for The Saklan School’s 3rd – 5th grade production of The SpongeBob Musical on Friday, December 19th at 10:30 a.m. The show will take place in the Holy Trinity Cultural Center (next door to Saklan). Doors will open at 10:15 a.m.
If you will attend and haven’t already done so, please RSVP here. There is no cost to attend; we want to ensure we have enough seats for all!
#SaklanCreative #SaklanCourage
The third and fourth grade students recently spent a memorable day on the UC Berkeley campus visiting Café Ohlone as part of their Project Based Learning units. During this field experience, students stepped into a living story of culture, language, and resilience. Café founders Vincent Medina and Louis Trevino welcomed the group with warmth and generosity, sharing the many ways they keep Ohlone traditions alive through language, food, and community.
As students listened, they learned about the deep and enduring relationship the Ohlone people have with the land—how native plants serve as food, material for basketry, and sources of medicine. They were especially fascinated to discover that acorns, a staple of the Ohlone diet, require six months of careful preparation before becoming soups and breads.
Student curiosity sparked a steady stream of thoughtful questions, so many that Vincent and Louis kindly extended their presentation to continue the dialogue. Students were eager to understand how traditional foods, languages, and customs continue to shape Ohlone life today. Vincent and Louis emphasized one message above all: Ohlone people are still here, actively preserving, practicing, and celebrating their culture.
A highlight for many students was learning to say several words in Chechenyo, the traditional Ohlone language. Speaking the language offered students a meaningful way to honor and connect with the living culture they had just encountered.
This field experience deeply enriched students’ exploration of their driving question. By connecting firsthand with Ohlone voices, students gained a more nuanced understanding of history, identity, and belonging—and a lasting appreciation for the resilience and vibrancy of the Ohlone community.
#SaklanProjectBasedLearning #SaklanFieldExperience
This morning, campus was buzzing with excitement as we launched our Learning Buddy program for the year! Designed to encourage cross-grade friendships, foster responsibility and mentorship, and make learning engaging and fun, Learning Buddies are a treasured Saklan tradition.
During their first meeting, buddies took time to get to know one another before diving into some shared reading. Older students modeled strong reading behaviors—using expression, fluency, and confidence—while also listening attentively as their younger buddies proudly read aloud.
The joy was evident on both sides: older students embraced their roles as mentors, while younger students felt supported, inspired, and eager to spend more time with their new friends. By the end of the morning, many were already asking the same question: When do we get to meet with our buddies again?
We look forward to seeing these relationships blossom throughout the year as students learn, grow, and shine together.
#SaklanCommunity
The third graders recently took a journey back in time to 1888, stepping into the shoes of pioneer children at the historic Tassajara One-Room Schoolhouse. Dressed in their finest pioneer attire and carrying lunches in baskets or kerchiefs tied to sticks, they experienced a school day just as children did over 130 years ago—when Grover Cleveland was president and the U.S. had only 38 states!
During their visit, students read from McGuffey Readers (published in 1879), practiced math on slate boards with chalk, and even tried their hand at cursive writing using quill pens dipped in ink. It was a hands-on, immersive glimpse into the past that brought history to life in an engaging way!
Recess was just as much fun as the school day itself! The third graders jumped rope, walked on cans and wooden stilts, and even sang songs while playing instruments popular in the 1800s. They also explored inventions and news articles from the time, gaining a deeper understanding of daily life in 1888. By the end of the day, they all agreed—school was definitely fun in the past!
#SaklanHandsOn #SaklanFieldExperience
One of the most special elements of Saklan Project-Based Learning is the ways in which annual units take on different elements each year. For the last three years 2nd and 3rd grade students have designed the backdrop for our spring concert at the Lesher Center as part of a PBL unit on color and communication. This unit centers on the driving question: How can we understand the art world to design a backdrop that communicates “garden?”
This year there has been an intentional focus on one particular Studio Habit of Mind: Understanding the Art World. This studio habit, one of eight developed by the researchers at Project Zero, focuses on the study of art history and contemporary practices to learn how to act as an artist in collaboration with other artists in broader society.
The unit began with students sharing their own experiences of gardens. This process activated their prior knowledge and began to elicit ideas, feelings, and questions connected to the concert theme. Next, they completed a whole class brainstorm of ideas, colors, experiences, feelings, and connections to the driving question. This work helped guide the decisions about which artists students would focus their learning on as they worked toward the design and creation of the concert backdrop.
The unit then moved on to explore artists whose work focuses on gardens, nature, and tending to the environment. Made with charcoal scavenged from the scorched earth after a wildfire, Emily Gui’s drawings of wild grasses that emerged after the fire, connected to the 3rd graders’ research on native plants earlier this year. It was also a jumping off point to help expand the students’ definition of what a garden may mean to different peoples. They compared drought maps to the work of Saif Azzuz, which often focuses on the importance of tending the California landscape through the Indigenous wisdom of cultural burns and the varied medicinal uses of native plants, as seen in his recent installation at Stanford Research Park. Finally, students considered the impact of color, and what happens to our interpretation of artworks when color is removed using works by Kim Champion. It struck students that when the color was removed from her art, often much of the meaning was lost and the figures became harder to identify.
Visiting SFMOMA as part of this PBL unit was a highlight for our second graders. This opportunity to engage with large works in a museum space gave students a chance to observe a variety of ways artists convey the theme of garden. They explored many different types of works and interpretations of our theme.
After exploring different artists’ interpretations of garden, students reflected on the feelings and connections to the theme that they wanted to express through their backdrop art. Three distinct groups emerged. One group most associated gardens with the feelings of excitement and joy, another with a sense of awe for life, and a third associated gardens with calm. Each feeling group identified colors to communicate those feelings using their growing understanding of the art world.
Knowing how colors impact each other when side by side and gaining an understanding of the need for balance between colors were the next key elements to successful communication through color that students began to explore. Color mixing recipes were iterated on to figure out how to mix just the right tint, shade, or hue of the desired colors.
Additionally two small groups considered the ways line and shape can help us communicate our theme. One group felt a sense of curiosity when considering the theme of “garden” and worked to create a line language for our backdrop. Another considered the connection between the theme of “garden” and fruits and vegetables.
At the concert, look for the line and shape language they developed among the beautiful colors the students have so carefully selected and balanced. You may spot many ovals, circles, and textures that mimic overlapping yerba buena leaves, curved lines like the edges of a valley oak leaf and its branches, or the texture of corn on the cob.
The students are now preparing the backdrop canvases by applying a base coat and will begin painting their version of “garden” very soon. We are excited to unveil the finished product at the All-School Concert on Friday, March 21st. See you there!
#SaklanPBL #SaklanCreative
Our lower school students were recently thrilled to welcome author Traci Huahn to Saklan for an inspiring visit centered around her book, Mamie Tape Fights to Go to School. During the 45-minute session, students enjoyed a captivating read-aloud of the book, learned about the historical significance of Mamie Tape’s fight for school desegregation during the era of the Chinese Exclusion Act, and explored how this moment in history connects to the broader civil rights movement.
Ms. Huahn also shared her journey as an author, offering an inside look at the research, writing, revising, and publishing process. Students were delighted by a special video message from the book’s illustrator, Michelle Jing Chan, who revealed her creative process and behind-the-scenes details.
The visit sparked engaging discussions about bravery, standing up for your rights, and the power of storytelling. Students asked thoughtful questions during the Q&A, deepening their understanding of the themes and lessons in the book.
Congratulations to our third, fourth, and fifth-grade students on their wonderful performance of The Aristocats Kids right before Winter Break!
From memorizing lines, finding costumes, designing sets, and applying makeup, it takes a village to bring these productions to life. Thank you to all the performers for the courage and creativity they put into their characters. Thank you to the parents who helped run lines, arranged for base costumes, and worked on hair and makeup. Thank you to all who joined us for the show and cheered on the cast.
Additionally, we have a few special thank yous we would like to share:
It was a fabulous show! We hope you enjoy the photos from the performance below.
#SaklanCreative
A key element of Saklan Project Based Learning units is a public product. This looks different depending on the division and, hopefully, over the last month, you have had the opportunity to share in a culminating event on campus!
In our Early Childhood Education program, our projects culminate with a public event where students share all the expertise they have gained over the course of the project. It’s a joyful time to celebrate their hard work with family, friends, and other students and staff. It is also a rich opportunity for them to be the experts in the room and develop their speaking and listening skills. Recently our Pre-K (Hoot Owl) class culminated their project unit on farmers’ markets.
In our lower and middle school projects, products are created for an audience beyond the teacher and students in the classroom. One key aspect of a public product in these divisions is that it must raise the stakes of the work in a meaningful and authentic way. Students aren’t doing something just for the sake of doing it or solely regurgitating information learned from teacher-directed lessons.
Instead, the work students engage in mirrors what adults do in their various career pursuits. After student-led inquiry and teacher guidance to address the content standards, students make or do something that serves some purpose in the Saklan or broader community. Students are creating, educating, or advocating beyond the context of our classrooms. Some examples of recent products that answer the driving question and serve an authentic public purpose are below:
| Grade | Driving Question | Public Product |
| 2nd | Can animals survive in any habitat? | Lunch table mini posters advocating for food swaps that help avoid palm oil. |
| 2nd | How can we use color to communicate feelings? | Design and creation of the concert backdrop for our Spring Concert at the Lesher Center |
| 3rd | How can we show respect to the people whose ancestral land our school is on? | Research, design, and creation of the hopscotch and four square murals on the sports court to reflect the Saklan Bay Miwok culture. |
| 6th | Who do artifacts really belong to? | Public art graffiti stencils to share options on repatriation of artifacts with the community. |
The final products differ but all include authentic sharing and action beyond our classrooms. At Saklan, students feel a sense of purpose that is hard to replicate in other styles of teaching and learning. This brings the work alive and prepares them for the critical thinking challenges, complex communication needs, and creative problem-solving they will encounter in high school, college, and beyond.
If you’d like to dive deeper into the various design elements of a Project Based Learning (PBL) unit, check out the recording of our October 22nd Saklan Projects! virtual event. And we hope you can join us at our culminating events next week.
Upcoming Project Culminations
#SaklanProjects
Third graders have been learning about Spanish-speaking countries around the world. They learned that there are 21 countries and about 500 million Spanish speakers in the world. Each student did a special project researching one specific country to find out:
Upon completion of their projects, each student presented their findings to the class.
The students had a great time learning and presenting about their Spanish-speaking country of choice!
Thursdays at The Saklan School sound different thanks to African Drumming classes. Learn more about the classes and instructor in the post below, written by guest blogger and Saklan African Drumming Teacher, Isaac Narell.
Alfred and Kobla Ladzekpo came to the United States in the 1960s to teach Ewe music. The Ladzekpos came from a village in the southern Volta region of Ghana called Anyako, an Ewe village. Ewe is one of over 20 languages spoken in Ghana. Ewe music is divided into styles. Each Style has songs (for singing), drum patterns and dance steps. The singing, drumming and dancing together form the musical style.
Alfred Ladzekpo taught at the California Institute of the Arts (Calarts) for over 40 years, and I was fortunate to study with him from 2002-2006. He became my mentor and my friend.
Alfred’s main goal with his students at Calarts was to show them how to be an effective musician in his style of music. Ewe music is an oral tradition. Musicians coming from different backgrounds begin a new process of learning through listening. Alfred reveled in every opportunity he had to lecture his students on the importance of listening. Despite the simplicity of the message, every student who embraced this concept came away from Alfred’s class as an improved musician.
As a young musician, my fascination with Ewe music was sparked by my admiration of its construction. Ewe music weaves a complex counterpoint through all of its elements that rival the greatest art forms of humanity. I was enamored with the sophistication of the drumming patterns and the ability of musicians to dialogue through musical language. The lead drummer directs the ensemble into new dance moves, drumming patterns, or songs, by playing a call on the drum. Everyone has to listen or they might miss the call!
This felt like a secret language and my friends and I were hooked. We took every opportunity to learn from Alfred and eventually, we were helping him teach his classes and performing in his professional ensemble at schools and community events. Later in life, I found another beautiful side to the art form.
The main function of music in Ewe culture is to promote community. People gather in social groups for musical performances. These groups perform at funerals and weddings and are the backbone of both religious and secular events. This is extremely valuable in our recent culture fueled by social media. People crave interaction and Ewe music is a world-class option for community building.
I teach Ewe music as a celebration of West African brilliance. Through honoring and respecting Ewe culture I have found that we can bring value to our school not only through the acute development of musicianship but through the strengthening of our community.
#SakalanCommunity #SaklanArts
FRIDAY BLOG 
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